WWTW Interview – Director Michelle Danner (‘Hello Herman’)

WWTW Interview – Director Michelle Danner (‘Hello Herman’)

Danner MichelleMichelle Danner came across something unusual while auditioning pre-teens for roles in her new film “Hello Herman.”

The actors, most of whom were roughly 13 years of age, looked old enough to be either entering college – or about to graduate.

“Youth has gone so fast, it’s a mirror of how fast our society is,” Danner says. “I see it with my [own] kids.”

It’s one of many themes explored in “Hello Herman,” the film version of John Buffalo Mailer’s play about a school shooting. The movie, which stars Norman Reedus, Martha Higareda and newcomer Garrett Backstrom, examines society through the eyes of both a copycat killer and the journalist who views tragedy as a career enhancer.

Danner, an acting coach and Artistic Director at Edgemar Center of the Arts, says even though other films like “April Showers” and “Elephant” have touched on school shootings the material still needs to be addressed.

“Why do movies about the Holocaust keep happening? We do need to see these movies,“ she says. “Anything that sparks debate is a good thing … the message here is acceptance and connecting, reaching out to others so a kid won’t get bullied.“

Those messages resonated during the film’s shoot. The director recalls how the brother of one of the film’s actors reacted to a pivotal scene in the movie.

“I realized that I am a bully in school and I have to change,“ she recalls the youngster telling her.

Danner says one piece of dialogue which didn’t make the final cut had a character asking another if people will learn to be nicer to one another.

“It was too much to say,” she explains why the line was cut. “But it’s true.”

“Hello Herman” proved independent to the core, but Danner says the limitations of a tight budget actually served as her muse.

“There‘s something interesting about the urgency of having to get it, it’s emotional,” she says of the “fast and furious“ shooting style adopted for the project. A similar sentiment drove the cast and crew. “Everyone felt we were making a movie that had something to say. Everybody was on board with that.”

Danner finished principal photography on the film last month and will be editing the movie through June. Then, “Hello Herman” will be submitted to film festivals while Danner ponders distribution offers.

Danner, whose list of acting clients includes Gerard Butler, Chris Rock, Penelope Cruz, James Franco, Salma Hayek and Isla Fisher, says transitioning from acting coach to film director was part “of a natural progression.”

“I love the medium of film. I love the stage. I’m constantly championing new works,” she says.

Part of her entertainment career involves training not just fledgling actors but established stars at the top of their profession.

“Sometimes you can do a lot of movies and feel, ’I know nothing … let me see how an acting coach can make things better,’” she says.

Take comic actor Chris Rock, who Danner worked with during the making of “Death at a Funeral.”

“He wanted to do something different. We really worked on that,” she says. “A common denominator with actors, even very well known ones, is insecurity.”

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{ 2 comments… read them below or add one }

Tom in AZNo Gravatar May 10, 2011 at 5:04 pm

That’s odd, my sister recently did her student-teaching at a middle school and was surprised how tiny and young the students looked.

But as for this movie, I’m probably in the minority that thinks the purpose of art is, primarily, aesthetic; concentrating on “statement” first is the main reason most current sculpture and painting is basically political cartoons, but smuttier. And all the “important” books make Bunyan or Milton look like art-for-art’s-sake decadents—if Margaret Atwood had any integrity, all her characters would be named after virtues or vices, just like in Pilgrim’s Progress, so we’d at least know what we’re getting into.

Still, though, morality is a component of aesthetics. So the question is, does this movie offer easy answers? Because a bunch of things I’ve seen recently about anti-bullying measures (aside from my sister, both my parents are teachers) seem to. Bullying isn’t, usually, about the easy “race, class, sexual identity” categories; it’s usually more about something random. Also, it sounds harsh, but a lot of people who got bullied at my school (I was one of them) deserved it. If you go out of your way to shove your differences from other people in their faces, you should expect them to treat you poorly. Organisms are hardwired to dislike things too different from themselves: because they’re potentially dangerous, potential rivals or predators. Deliberately pointing out your differences from other people is, on an instinctive level, identical with threatening them.

No they shouldn’t hurt you or harass you (that’s why assault and harassment are crimes, why it’s almost like there are mechanisms in place to cope with all this), but it was amazing how much nicer everyone was once I stopped deliberately picking fights.

David BrigsNo Gravatar August 8, 2012 at 8:43 pm

Michelle also teaches acting at her own studio in Santa Monica so I imagine the acting’s going to be good at least… anyone with kids will probably love this thing

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